Throughout his time as a punch-cutter, he cut types in the tradition now known as old-style serif design, which produced letters with an organic structure which resembled handwriting with a pen but with a more structured and upright design (Claude Garamond). His independent career therefore assisted in defining the future of commercial printing with typefounding as a distinct industry to printing books (Claude Garamond), and printers were able to print books with immense legibility due to Garamond’s work having harmony of design between the capital, lowercase and italic letters (Willetts). Īs one of the first independent punchcutters, he specialised in type design and punch-cutting, offering these as a service to others instead working in house for a particular printer. One of his first works is said to be the Cicero typeface, which was re-cut by Frenchman Jean Jannon in 1620, and distributed under the name of Garamond (1499 – 1561: Claude Garamond). He initially began an apprenticeship as a book printer in 1510 in the workshop of Antoine Augereau, a humanist typographer and engraver. He was also one of the first type designers to create obliqued capitals which complimented an italic lowercase, and created an italic design to compliment a roman type style (Haley). Claude Garamondīeing the typographic innovator that he was, he was instrumental in the adoption of roman typeface designs in France as a replacement for the commonly used gothic or blackletter. He is considered one of the leading type designers of all time, and is recognised to this day for the elegance of his typefaces (Claude Garamond). Garamond was an independent punch-cutter, type designer and book publisher based in Paris. Of course an academic journal wouldn’t reject a manuscript on the basis of typeface alone, but this Nature article suggests that for manuscript submission, Garamond or Times New Roman are favoured.Claude Garamond, with his given name being Claude Garamont, was a Frenchman born in c. Since it is so popular, at MOTHandRUST we prefer to use alternatives, such as Sabon or Caslon. From 1983 to 2001 Apple used Garamond as their corporate font, but later moved to a modern font that had been drawn with the limitations of early computer screens in mind. An exceptionally popular typeface in print today, it is found in some of the best-selling titles available from bookstores, including every book in the Harry Potter series. It has survived the centuries because of its remarkable readability and timeless elegance. Garamond is one of the oldest printing press fonts. Of course, Garamond has been modified and refined over the years, but this family of typefaces can still be said to be based upon Claude Garamond’s original designs from over 500 years ago. Having designed many typefaces in his lifetime, it can be said that the origin of Garamond is not one typeface in particular, but rather his particular style, which was considered very contemporary and modern. Over time, they were sold or traded between printers.
Like many engravers, they were often commissioned for a single printer's exclusive use. It was here that Claude Garamond’s career as an engraver flourished, and his Garamond typefaces were created.
1470: the very first book was printed in Paris, France and a boom in typeface creation followed shortly after.
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